Sans Superellipse Liza 2 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, product design, packaging, posters, futuristic, tech, friendly, modular, retro, systematic design, modern branding, digital friendliness, geometric clarity, rounded, squared, geometric, soft-cornered, compact.
A geometric sans built from rounded-rectangle and superellipse-like forms, with smooth corners and largely uniform stroke thickness. Counters tend to be squarish and open, and terminals are consistently rounded, giving a soft, engineered feel. Proportions are fairly compact with generous curvature and slightly condensed interior spaces, while spacing and rhythm stay even across uppercase, lowercase, and figures. Distinctive constructions include the arched, single-stem “m/n,” a simple single-storey “a,” and numerals that echo the same rounded-rect geometry for a cohesive set.
This font is well suited to interface labels, dashboards, and wayfinding-style typography where rounded geometry supports a clean, friendly presence. It can also work effectively for tech-oriented branding, packaging, and headline use, especially where a modular, contemporary look is desired. In longer text, it will perform best at comfortable sizes where the compact counters remain clear.
The overall tone reads clean and contemporary with a playful, approachable edge. Its rounded geometry suggests a digital/product aesthetic—more friendly interface than strict industrial—while still feeling precise and systematic. The result balances retro-futurist flavor with modern clarity.
The likely intention is to create a cohesive geometric sans that uses rounded-rect construction to project modernity and approachability at once. By keeping strokes even and shapes systematic, it aims for strong identity and easy repetition across branding and digital contexts, while maintaining a playful softness through generous corner rounding.
The design language is highly consistent across letterforms, with repeated rounded-square counters and smooth joins creating a strong visual system. At smaller sizes, some characters with similar silhouettes (such as O/0 and I/l/1) may rely on context due to the intentionally simplified, geometric forms.