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Free for Commercial Use

Sans Normal Odmip 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Dexa Pro' by Artegra, 'Aspira' by Durotype, and 'Grold' and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, confident, playful, retro, impact, approachability, brand presence, display clarity, rounded, soft terminals, compact, chunky, high impact.


Free for commercial use
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A heavy, rounded sans with broad, compact letterforms and minimal stroke modulation. Curves are built from generous circular bowls with slightly flattened joins, while straights are thick and steady, creating a dense, poster-like color on the page. The uppercase feels sturdy and geometric, and the lowercase follows with single‑storey forms (notably a and g) and soft, bulbous counters. Terminals are clean and mostly squared-off but softened by rounding, and punctuation and numerals share the same solid, chunky construction for consistent texture.

This font is best suited to headlines and short, high-impact copy where its dense weight and rounded shapes can carry personality. It works well for posters, signage, packaging, and brand marks that want a friendly, robust voice, and it can also support display-sized pull quotes or splashy UI moments when ample spacing is available.

The overall tone is upbeat and approachable, with a bold, good‑natured presence that reads as friendly rather than aggressive. Its rounded geometry and compact rhythm suggest a playful, slightly retro sensibility suited to attention-grabbing messaging.

The design appears intended to deliver maximum impact with an approachable, rounded sans voice, balancing geometric construction with softened corners for warmth. Its consistent, low-modulation strokes and compact proportions prioritize bold legibility and strong silhouette recognition in display applications.

Tight internal counters and thick joins create strong mass at small sizes, while large sizes emphasize the sculpted roundness and smooth silhouettes. The forms maintain a consistent, even rhythm across mixed-case text, producing a cohesive blocky texture in paragraphs and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸