Sans Other Bunih 5 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, packaging, editorial, sharp, dramatic, modernist, stylized, distinctiveness, display impact, modern edge, brand voice, angular, incised, flared, tapered, calligraphic.
This typeface presents a clean, sans-based structure infused with pronounced wedge-like cuts and flared terminals. Strokes frequently taper to sharp points, creating an incised, chiseled impression rather than round-ended sans behavior. Curves are broad and controlled while diagonals and joins show crisp, angular decisions; counters stay open and legible, but the overall rhythm is lively due to asymmetric shears and pointed finishes. Uppercase proportions feel sturdy and display-oriented, and the lowercase combines simple skeletons with distinctive, blade-like terminals that add motion to text.
Best suited to headlines, brand marks, and short editorial settings where the carved terminals and dynamic rhythm can be appreciated. It can also work well for packaging and poster typography that benefits from a crisp, modern bite. For extended small-size reading, its sharp details may call for careful sizing and spacing to preserve clarity.
The font conveys a sharp, dramatic tone with a contemporary, fashion-forward edge. Its pointed terminals and carved details suggest confidence and energy, reading as refined yet intentionally aggressive rather than neutral. The overall feel sits between modern editorial styling and a subtle calligraphic bite.
The design appears intended to reinterpret a straightforward sans foundation with incised, wedge-driven terminals to create a distinctive, high-impact texture. It prioritizes a memorable silhouette and stylistic consistency across cases and figures, aiming for display clarity with a deliberately sharpened voice.
Numerals and capitals maintain consistent visual logic with the same tapered, wedge-cut endings, helping headings feel cohesive across alphanumeric mixes. The sample text shows strong wordshape at larger sizes, but the terminal sharpness and internal cuts make it feel more like a designed voice than a purely utilitarian workhorse.