Sans Superellipse Pymun 11 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Area' by Blaze Type and 'Nuber Next' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, modernist, condensed, direct, urban, space saving, high impact, modern utility, geometric identity, signage clarity, geometric, squared-round, compact, tight tracking.
A compact, condensed sans with a geometric, squared‑round construction. Strokes are uniform and sturdy, with rounded-rectangle curves in bowls and counters, giving letters like O, C, and G a superellipse feel rather than a pure circle. Terminals are clean and mostly straight, and the overall rhythm is tight and vertical, with narrow apertures and compact internal spaces. Numerals match the same sturdy, condensed build, keeping a consistent, dense texture in lines of text.
Best suited for headlines and short blocks of text where space is limited and a strong, condensed presence is desirable. It works well for posters, signage, packaging, and brand applications that want an efficient, modern voice. For longer reading, it will perform most comfortably with generous line spacing due to its dense internal spaces.
The font reads as efficient and no-nonsense, with a contemporary, industrial tone. Its condensed stance and squared-round curves add a slightly technical, urban flavor while staying neutral enough for straightforward communication. The overall impression is confident and utilitarian rather than playful or decorative.
Likely designed to deliver maximum impact and economy of width while keeping a clean, contemporary sans structure. The squared-round superellipse forms appear intended to differentiate the face from purely neo-grotesque models, adding a controlled geometric character that remains highly functional.
At display sizes the compact counters and narrow apertures create a dense, poster-like color, especially in mixed-case settings. The squared-round geometry gives the face a distinctive identity in headings while maintaining a simple, systematized feel.