Sans Faceted Lydu 6 is a bold, normal width, low contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, gaming, ui labels, techno, industrial, futuristic, tactical, arcade, high impact, technical tone, geometric consistency, retro-future, angular, octagonal, chamfered, modular, monoline.
A geometric sans built from straight strokes and clipped corners, replacing curves with crisp chamfers and faceted joins. Strokes are consistently heavy and largely monoline, with rectangular counters and squared apertures that create a modular, engineered rhythm. Proportions feel compact in the caps while the lowercase shows a notably tall x-height, keeping word shapes blocky and stable. Terminals are flat and orthogonal, and diagonals (as in A, K, V, W, X, Y) are steep and clean, reinforcing a hard-edged, mechanical texture.
Best suited to display contexts such as headlines, posters, branding marks, esports/gaming graphics, and interface or equipment-style labeling. It performs particularly well when you want compact, high-impact text with a hard-edged, technical flavor, especially at medium to large sizes where the faceted geometry is most legible.
The overall tone is tech-forward and utilitarian, evoking interfaces, industrial labeling, and sci‑fi display typography. Its sharp facets and stencil-like geometry suggest precision, toughness, and a slightly game-like, retro-digital attitude. The dense black shapes read as assertive and functional rather than friendly or calligraphic.
The design appears intended to deliver a geometric, manufactured aesthetic by translating traditional sans forms into planar facets and clipped corners. It prioritizes a strong silhouette and consistent angular language, aiming for immediate recognizability and a distinctive technical character in display settings.
The faceted construction gives many rounded forms (O, C, G, Q, 0, 8, 9) an octagonal silhouette, producing a consistent “cut metal” motif across letters and figures. Numerals and capitals appear designed to stand up well in large sizes, where the internal angles and chamfers become a defining detail.