Sans Other Akja 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Point Panther' by Sarid Ezra (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, kids media, playful, hand-cut, quirky, retro, comical, attention, handmade feel, humor, retro display, angular, chunky, irregular, faceted, blocky.
A heavy, blocky sans with a hand-cut, faceted construction. Strokes are built from straight segments with chamfered corners, producing an intentionally irregular silhouette rather than smooth curves. Counters are compact and polygonal, apertures tend to be narrow, and overall spacing feels lively due to uneven widths and slightly inconsistent angles. The lowercase maintains a sturdy, compact presence with short extenders, while numerals and capitals keep the same angular, cut-paper geometry for a cohesive, poster-like texture.
Best suited to display applications such as posters, headlines, event graphics, packaging, and playful signage where bold texture and personality are desired. It can work for short bursts of copy in branding or editorial callouts, but the compact counters and jagged rhythm suggest avoiding long passages at small sizes.
The letterforms convey a playful, mischievous energy, like cutout signage or a comic title drawn with a knife-edge marker. Its jagged corners and shifting rhythm create an informal, handmade tone that reads as retro and attention-seeking rather than neutral or corporate.
The design appears intended to translate a handmade, cutout aesthetic into a consistent alphabet—prioritizing punchy silhouette and characterful irregularity over typographic neutrality. Its angular reductions and simplified forms aim to deliver immediate impact and a distinctive voice in display settings.
In text, the dense strokes and tight internal spaces create a strong black mass, making the font most effective when given generous tracking and line spacing. The irregular contours add personality at display sizes, where the faceted construction becomes a defining feature rather than a distraction.