Sans Other Digot 6 is a very bold, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logos, packaging, game ui, playful, rowdy, comic, handmade, retro, standout display, playful impact, hand-cut texture, dynamic slant, angular, faceted, chiseled, blocky, irregular.
A heavy, faceted sans with irregular, chiseled-looking outlines and a consistent forward slant. Strokes are chunky and largely monolinear, but corners break into angled planes that create a cut-paper or carved feel rather than smooth curves. Letterforms are compact with wide internal counters in characters like O, P, and B, while terminals and joins often resolve into sharp, polygonal points. Spacing and widths vary noticeably across glyphs, contributing to a lively, hand-built rhythm in both uppercase and lowercase.
Best suited for display work where impact and personality matter—posters, headlines, event graphics, playful branding, packaging, and game- or comic-adjacent UI/graphics. It performs especially well in short phrases, titles, and badges where the bold, angular texture can be appreciated without requiring sustained reading.
The overall tone is energetic and mischievous, with a slightly chaotic, cartoon-like bounce. Its jagged geometry and bold presence read as loud and attention-seeking, leaning toward retro arcade/comic signage rather than neutral text typography. The slanted stance adds motion and urgency, reinforcing an informal, action-forward voice.
The design appears intended to deliver a bold, unconventional sans with a hand-cut, angular texture and a sense of motion. By replacing smooth curves with faceted planes and keeping forms punchy and compact, it aims to stand out immediately and communicate fun, energetic character in display typography.
The glyph set shown emphasizes distinctive silhouettes: diagonals and notched corners are frequent, and curves are generally interpreted as multi-sided arcs. Numerals match the same faceted construction, keeping the set visually cohesive in display contexts. At smaller sizes, the angular details may visually merge, while at larger sizes the cut edges become a key stylistic feature.