Sans Other Elha 11 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Poster Linear' by Jehansyah (names referenced only for comparison).
Keywords: sports branding, racing graphics, game titles, posters, headlines, sporty, dynamic, techy, aggressive, futuristic, impact, motion, branding, display, modernity, slanted, angular, square-cut, chiseled, compressed counters.
A sharply slanted, heavy sans with an angular, square-cut construction throughout. Strokes are built from straight segments with clipped corners and wedge-like terminals, producing a faceted, machined look rather than rounded curves. Counters are tight and often rectangular, with stencil-like breaks and notches appearing in several forms (notably in E/e and some numerals), which adds texture and a sense of engineered detail. Proportions skew tall, and the rhythm is forward-leaning and compact, emphasizing speed and impact in both caps and lowercase.
Best suited to large-size applications where its angular cuts and forward lean can carry a strong visual identity—team marks, esports or game titles, event posters, packaging callouts, and bold editorial headlines. It can also work for short UI labels or interface accents when used sparingly and with ample size/contrast.
The overall tone is fast, forceful, and modern, evoking motorsport graphics, action titles, and sci‑fi interface styling. Its hard angles and aggressive slant create a sense of motion and urgency, reading as energetic and performance-oriented rather than neutral or conversational.
This font appears designed to deliver a high-impact, motion-forward display voice using a geometric, cut-metal construction. The distinctive notches and clipped terminals suggest an intention to stand out in branding and titling contexts where speed, power, and modernity are central.
The design favors crisp diagonals and strong horizontals, with minimal curvature and consistent corner treatments that keep the texture uniform across the alphabet and figures. The stylized cuts can reduce clarity at small sizes, but they enhance identity and “logo-like” presence at display scales.