Sans Faceted Abmur 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Infield' and 'Outlast' by BoxTube Labs, 'Isotonic' by Emtype Foundry, and 'JH Oleph' by JH Fonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, retro, assertive, sporty, mechanical, impact, ruggedness, signage, branding, modernized gothic, chamfered, angular, blocky, compact, sturdy.
A heavy, angular display face built from straight strokes and clipped corners, with planar facets substituting for true curves. Forms are broadly geometric and compact, with squared counters and small apertures that keep the texture dense. Stroke endings are consistently chamfered, producing a hard, machined rhythm across both capitals and lowercase; diagonals (A, V, W, X, Y) read crisp and stable, while rounds (O, C, G, 0) appear as octagonal shells with notched interior shaping. Numerals follow the same faceted construction, yielding strong, uniform silhouettes suited to large sizes.
Best suited to short, high-impact settings such as headlines, poster typography, wordmarks, team or event branding, and bold packaging labels. It will also work well for signage-style applications where strong silhouettes and a rugged, engineered texture are desirable, particularly at medium to large sizes where the faceted detailing reads clearly.
The overall tone is tough and utilitarian, evoking cut metal, stenciled labeling, and vintage athletic or industrial signage. Its sharp facets and tight interior spaces create an assertive, no-nonsense voice that feels engineered rather than handwritten or calligraphic.
The design appears intended to deliver maximum punch through bold massing and a distinctive faceted construction that modernizes blackletter-like density into a geometric, industrial vocabulary. Its consistent chamfers and squared counters suggest a focus on durable, sign-like readability with a strongly branded, display-first character.
Spacing and overall color appear intentionally dense, with counters kept relatively small for impact. Lowercase includes straightforward, sturdy constructions (notably single-storey a and g) that align closely with the uppercase geometry, helping mixed-case settings retain a consistent, block-like presence.