Sans Superellipse Peraj 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Oso Sans' by Adobe, 'Campione Neue' by BoxTube Labs, 'Miura' by DSType, 'Mercurial' by Grype, 'Obvia Condensed' by Typefolio, 'Quebra Condensed' by Vanarchiv, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, confident, compact, industrial, playful, retro, space saving, high impact, friendly solidity, graphic clarity, rounded corners, squared curves, blocky, softened.
A heavy, condensed sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, creating dense counters and a compact, poster-like rhythm. Curves resolve into squared, superelliptical shapes in letters like C, G, O, and S, while verticals and horizontals stay blunt and sturdy. Lowercase forms are simple and sturdy, with single-storey a and g, short ascenders/descenders, and generally tight internal space that emphasizes the font’s mass.
Best suited for headlines, branding, packaging, and signage where a compact, high-impact voice is needed. It can work for short bursts of copy or callouts, but its dense counters and condensed build are most comfortable at larger sizes.
The overall tone feels bold and no-nonsense, but the rounded-square geometry adds friendliness and a slightly playful, retro-industrial character. It reads as assertive and attention-grabbing without becoming sharp or aggressive.
Likely designed to deliver maximum visual punch in limited horizontal space while maintaining a soft, approachable edge through rounded-square shaping. The consistent stroke weight and simplified forms prioritize strong silhouette recognition and solid, graphic texture.
The punctuation and figures match the same compact, blocky logic, with rounded terminals and sturdy proportions that keep line texture even. The condensed width and tight counters make the font most effective when given adequate size or tracking, especially in long lines.