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Free for Commercial Use

Wacky Ebrop 7 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Acumin' by Adobe, 'Rhode' by Font Bureau, 'Miguel De Northern' by Graphicxell, 'Armetica' by Hsan Fonts, 'Morning Paper JNL' by Jeff Levine, 'Noison' by Lone Army, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, kids media, playful, goofy, handmade, retro, cartoonish, add personality, comedic impact, handmade look, standout display, chunky, bouncy, quirky, soft corners, uneven.


Free for commercial use
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A chunky display face with thick, low-modulation strokes and a deliberately irregular silhouette. Forms are generally condensed but vary noticeably in width from glyph to glyph, creating a bouncy rhythm across words. Terminals are softly squared with slight wobble, and curves feel inflated and rubbery rather than geometric. Counters are compact and rounded, and overall spacing reads tight and lively, prioritizing character over precision.

Best suited to attention-grabbing display work such as posters, titles, playful branding, and packaging that benefits from a humorous, handmade texture. It can also work for short bursts of UI or social graphics where a friendly, comedic voice is needed, but it’s most effective at larger sizes where the irregular contours can be appreciated.

The font projects a lighthearted, mischievous tone, with a hand-cut, cartoon-sign feel that keeps the texture animated even in longer lines. Its unevenness and chunky weight make it feel friendly and comedic, leaning toward whimsical, offbeat display typography rather than serious text setting.

The design appears intended to deliver instant personality through deliberate irregularity: a bold, compact letterset that feels cut by hand and slightly exaggerated for comedic impact. The consistent heaviness and softened corners suggest a focus on friendly, approachable display typography with a distinctive, one-off character.

Capital letters have a poster-like presence, while the lowercase maintains a sturdy, simplified construction with a high, prominent x-height. Numerals match the same bold, slightly lopsided spirit, with rounded joins and small, sturdy counters that keep them readable at headline sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸