Serif Normal Ipbov 3 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: book text, editorial, magazines, academic, print, classic, literary, formal, refined, readability, tradition, editorial tone, text setting, timelessness, bracketed, oldstyle, calligraphic, crisp, balanced.
This is a conventional serif with bracketed, gently flared serifs and moderately modulated strokes that keep contrast present but not extreme. Proportions are balanced and readable, with a steady rhythm and generous interior counters in letters like B, P, R, and e. The curves are softly modeled rather than geometric, and terminals often finish with a subtle wedge or teardrop feel. Lowercase forms show a traditional structure with a two-storey a and g, a compact, sturdy serifed n and h, and a softly angled shoulder on r; numerals follow the same bookish, oldstyle tone with varied widths and smooth curves.
It fits extended reading contexts such as books, essays, and magazine articles, where consistent rhythm and comfortable counters matter. It also suits formal editorial layouts, academic material, and other print-forward applications that benefit from a classic serif voice and clear, stable letterforms.
The overall tone is traditional and composed, conveying a bookish authority suited to long-form reading. Its restrained contrast and familiar, humanist detailing give it an approachable refinement rather than a sharp, high-fashion look. The texture feels calm and stable on the page, with enough character in the serifs and terminals to read as classic without becoming ornate.
The design appears intended as a dependable, general-purpose text serif that blends familiarity with subtle calligraphic modeling. It prioritizes legibility and an even typographic texture while adding just enough serif shaping and terminal character to feel established and literary.
In the sample text, the face maintains an even color across lines and holds up well at larger sizes, where the bracketed serifs and stroke modulation become more apparent. Capitals have a dignified presence without feeling overly wide, and the uppercase curves (C, O, Q) are smoothly drawn, supporting a polished editorial voice.