Script Abnam 8 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: wedding invites, branding, packaging, greeting cards, headlines, whimsical, elegant, vintage, playful, handcrafted, handwritten charm, calligraphic elegance, decorative display, personal tone, looping, calligraphic, swashy, monoline feel, tall ascenders.
A flowing handwritten script with pronounced contrast between thick downstrokes and hairline connectors, giving it a calligraphic, pen-drawn rhythm. Letterforms are slender and vertically oriented, with tall ascenders/descenders and a relatively small lowercase body, creating lots of airy white space between strokes. Connections are frequent in the lowercase, with occasional breaks and expressive entry/exit strokes; capitals are more standalone and display-like, using simplified stems and subtle swashes. Terminals tend to taper to fine points, and counters are often narrow and oval, reinforcing a light, graceful texture in words and lines of text.
Best suited to display settings such as wedding or event stationery, boutique branding, packaging, social graphics, and short headlines where the delicate connectors and swashes can be appreciated. It can work for brief subheads or pull quotes when set with comfortable tracking and line spacing, but it’s less ideal for dense paragraphs or very small UI text.
The font conveys a charming, boutique feel—equal parts refined and playful—like modern calligraphy with a slightly retro, storybook sensibility. Its looping forms and delicate hairlines suggest friendliness and personality while still reading as formal enough for invitations and titles.
Likely designed to emulate contemporary hand-lettered calligraphy—balancing clean, repeatable forms with expressive loops and contrast—so designers can achieve a personal, crafted tone without sacrificing overall consistency.
Capitals show a mix of script influence and simplified display construction, which can create lively contrast between uppercase and lowercase in the same word. Numerals and a few letters feature distinctive curls and open forms that read best when given generous size and spacing, since very thin strokes and tight joins can visually fill in at small sizes.