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Distressed Idto 4 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Clarendon BT' by Bitstream, 'Kontiki' and 'Pulpo' by Floodfonts, 'Clarendon SB' and 'Clarendon SH' by Scangraphic Digital Type Collection, and 'Clarendon' and 'Egizio' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, western, rugged, vintage, assertive, playful, aged print, headline impact, themed branding, rustic texture, slab serif, rounded, blunt, weathered, inked.


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A heavy slab-serif design with broad proportions, blunt terminals, and compact counters that give the letters a dense, poster-ready silhouette. Serifs are blocky and bracketed, with rounded joins and a slightly bouncy rhythm across the alphabet. The distressed treatment appears as speckling and roughened edges inside and along strokes, mimicking worn ink or rough printing while keeping the underlying letterforms clear. Numerals and lowercase share the same sturdy, club-like construction, with generous curves and short, stable stems that read strongly at display sizes.

Best suited to short, high-impact settings such as posters, headlines, signage, and packaging where the bold slabs and distressed surface can carry the design. It also works well for labels, badges, and themed branding that benefits from a worn print vibe; for longer text, it’s most effective in larger sizes where the texture remains intentional rather than busy.

The overall tone feels frontier and utilitarian—like a stamped label or old broadside—mixing toughness with a friendly, slightly humorous warmth. The texture adds a nostalgic, hands-on character that suggests age, grit, and physical materials rather than a clean digital finish.

The design appears intended to deliver a classic slab-serif display voice with an intentionally aged print finish, balancing strong readability with a decorative, weathered texture for themed visual identity work.

Texture is fairly consistent across glyphs, producing a uniform “printed” patina rather than extreme distortion. The wide stance and squared serifs create strong horizontal emphasis, while rounded corners prevent the weight from feeling overly harsh.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸