Sans Normal Lubah 14 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'BR Nebula' by Brink, 'Agile Sans' by Fenotype, 'Muller' and 'Muller Next' by Fontfabric, 'Aalto Sans' by Los Andes, and 'Uniform Italic' by Miller Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, punchy, confident, playful, energetic, impact, motion, approachability, display clarity, branding strength, oblique, rounded, geometric, compact, soft corners.
A heavy, obliqued sans with rounded, geometric construction and smooth, low-contrast strokes. Letterforms lean consistently forward and feel built from broad arcs and sturdy verticals, with soft joins and gently squared terminals that keep counters open despite the weight. Uppercase proportions read broad and stable, while the lowercase shows single‑storey forms and simple, functional shapes that maintain a clear rhythm at display sizes. Numerals are similarly robust and rounded, matching the overall mass and forward momentum.
Best suited to headlines, hero copy, and short emphatic lines where its weight and slant can drive impact. It also fits branding, packaging callouts, event graphics, and sports or lifestyle visuals that benefit from a strong, forward-leaning voice.
The overall tone is bold and kinetic, with a friendly bluntness that reads energetic rather than aggressive. The forward slant and wide stance create a sense of motion and confidence, giving the face a sporty, promotional character suited to attention-grabbing messaging.
The design appears intended to deliver maximum impact with a smooth, rounded geometric feel, combining a strong blocky presence with an italicized sense of speed. Its simplified forms and open counters suggest a focus on clarity in bold display use rather than delicate detail.
Spacing appears generous for a heavy style, helping prevent dark patches in text while preserving a solid headline color. Rounded counters and simplified interiors support quick recognition, especially in large settings where the italic angle becomes a key part of the personality.