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Sans Superellipse Abdor 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Ciutadella' by Emtype Foundry, 'MVB Embarcadero' by MVB, 'PF Das Grotesk Pro' by Parachute, and 'Carnova' by Typotheticals (names referenced only for comparison).

Keywords: ui text, product design, wayfinding, packaging, presentations, neutral, modern, clean, friendly, straightforward, clarity, neutral branding, system consistency, approachable modernity, utility, rounded corners, soft terminals, geometric, even color, open counters.


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A clean, geometric sans with subtly rounded corners and soft, squared-off curves that lean toward superellipse construction. Strokes maintain an even, low-contrast texture, producing a steady typographic color in both caps and lowercase. Curves are smooth and controlled, with open apertures and generous interior spaces in letters like c, e, and s. The lowercase is plain and utilitarian, with simple, sturdy forms (single-storey a and g) and short, practical joins; numerals are similarly straightforward, with rounded, contemporary silhouettes.

Works well for UI and product typography, dashboards, and app navigation where a steady rhythm and clear shapes support fast scanning. The smooth, rounded geometry also suits contemporary branding, packaging, and presentation headlines that aim for a clean, friendly voice without decorative cues.

The overall tone is modern and approachable: precise enough to feel technical and organized, but softened by rounded geometry that keeps it from feeling harsh. It reads as calm and matter-of-fact, with a mild friendliness suitable for everyday interfaces and brand systems that want clarity without starkness.

The design appears intended as a versatile, modern workhorse: geometric and systematic in construction, yet softened through rounded corners to improve approachability and reduce visual harshness. Its consistent stroke behavior and open counters suggest a focus on clarity across a range of sizes and settings.

Capital shapes feel built from stable verticals and broad curves, with a consistent rounding strategy across corners and terminals. The figures and punctuation in the sample text sit comfortably alongside letters, reinforcing a cohesive, system-like rhythm at larger text sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸