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Free for Commercial Use

Sans Normal Bumat 12 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Allrounder Grotesk Condensed' by Identity Letters, 'Flaco' by Letter Edit, 'TT Hoves Pro' by TypeType, and 'Paul Grotesk' and 'Paul Grotesk Soft' by artill (names referenced only for comparison).

Keywords: ui text, signage, editorial, presentations, branding, modern, neutral, clean, utilitarian, techy, clarity, neutrality, legibility, modern utility, systematic, geometric, rounded, crisp, straightforward, even.


Free for commercial use
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A clean sans with a geometric skeleton and rounded bowls, drawing many forms from near-circular curves paired with straight stems and flat terminals. Strokes are even and consistent, with open counters and clear interior spaces that support legibility at text sizes. The lowercase shows simple, single-storey forms (notably a and g) and compact, tidy joins, while capitals feel sturdy and balanced with generous curves (C, O, Q) and straightforward diagonals (V, W, X). Numerals are simple and highly readable, with a rounded 0 and a clean, upright 1.

Well-suited to UI copy, product screens, and wayfinding where consistent letterforms and clear counters are important. It also works for editorial body text, reports, and presentations that need a clean, contemporary voice, and can support minimalist branding when a neutral, modern sans is desired.

The overall tone is modern and neutral, aiming for clarity over personality. Its restrained geometry and even rhythm give it a pragmatic, contemporary feel that suits interfaces and informational settings while still reading comfortably in longer passages.

The font appears designed as a general-purpose geometric sans optimized for clarity and consistent texture across mixed-case text and numerals. Its simplified lowercase forms and stable proportions suggest an intention to remain unobtrusive and readable across a wide range of everyday typographic tasks.

Spacing appears even and disciplined, producing a steady typographic color in the sample paragraph. The design leans slightly toward geometric construction, but keeps enough openness in apertures and counters to avoid feeling rigid or overly stylized.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸