Sans Superellipse Tylo 11 is a regular weight, narrow, low contrast, upright, tall x-height font.
Keywords: posters, packaging, labels, headlines, signage, industrial, retro, utilitarian, typewriter, add texture, evoke print, save space, create impact, stamped, inked, roughened, condensed, monoline.
A condensed, monoline sans with rounded-rectangle bowls and softly squared curves throughout. Strokes are mostly uniform, with subtly flattened terminals and occasional notches or breaks that create a worn, stamped texture. Counters are compact and the rhythm is tight, with open apertures kept narrow and verticals kept firm; the overall silhouette reads cleanly at a distance but reveals deliberate irregularity up close. Numerals follow the same squared-round construction, keeping a consistent, compact footprint across the set.
Best suited for display roles where texture is an asset: posters, packaging, product labels, and short headlines. It can also work for signage-style applications and graphic systems that want a stamped or utilitarian feel; for longer text, it will read most comfortably at moderate sizes where the roughness doesn’t dominate.
The texture and slightly distressed edges suggest a practical, workmanlike tone—more rubber-stamp and label-maker than polished corporate sans. It evokes mid-century utility printing and industrial signage, balancing friendliness from the rounded forms with grit from the roughened finish.
The design appears intended to deliver a compact, space-saving sans with rounded-rectangular construction, then add character through controlled distressing to mimic ink spread, wear, or stamped printing. The goal seems to be a versatile display face that stays legible while projecting an industrial, retro utility aesthetic.
The sample text shows the distressed details becoming more apparent at larger sizes, where tiny bites and ink traps give a printed-on-paper feel. Round letters like O/Q and the bowls of b/d/p/q maintain a superelliptical geometry, which helps keep the set cohesive despite the intentional imperfections.