Sans Superellipse Pogab 6 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic Rounded', and 'Dharma Slab' by Dharma Type and 'Tungsten' by Hoefler & Co. (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, branding, industrial, condensed, modern, utilitarian, assertive, space-saving, impact, modernity, clarity, systematic, monoline, rounded corners, rectilinear, compact, tight.
A tightly condensed, monoline sans with tall proportions and compact counters. Curves are built from rounded-rectangle/superellipse shapes, giving bowls and terminals a softened, engineered feel rather than purely geometric circles. Strokes stay consistently heavy, with squared structure and subtle corner rounding throughout; joins are crisp and interior apertures are kept narrow, producing a dense vertical rhythm. Numerals match the same narrow, tall stance, with simplified, blocky forms designed to hold up in compact settings.
Best suited to headlines and display sizes where its condensed build can maximize words per line while maintaining strong impact. It can work well for signage, labels, packaging, and branding systems that benefit from a compact, industrial look and a uniform, high-density typographic color.
The overall tone is urban and industrial: firm, efficient, and slightly mechanical. Its narrow silhouettes and tight spacing feel purposeful and space-saving, projecting a contemporary, no-nonsense voice suited to information-forward typography.
The design appears intended as a space-efficient display sans that balances hard, rectilinear construction with rounded-rectangle curves for a controlled, modern aesthetic. It prioritizes a strong vertical rhythm and consistent stroke presence for bold, compact communication.
Round letters like C, O, and Q read as elongated capsules with small inner counters, while diagonals (A, K, V, W, X) remain sharp and angular against the otherwise softened corners. The design maintains a consistent texture line-to-line, creating a strong columnar flow in longer samples.