Sans Faceted Heju 2 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Lost and Foundry' by Fontsmith, 'Convicted JNL' and 'Late Breaking News JNL' by Jeff Levine, 'MC Fectron' by Maulana Creative, and 'MPI Gothic' by mpressInteractive (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, packaging, industrial, condensed, rugged, gothic, authoritative, space saving, impact, brand voice, geometric flavor, faceted, angular, beveled, high-waisted, compact.
A tightly condensed, vertically emphasized display sans built from straight strokes and clipped, faceted corners. Curves are largely replaced by planar cuts, creating octagonal counters in rounded letters and sharp notches at joins. Strokes stay consistently heavy with minimal modulation, while terminals are typically squared off or chamfered, producing a crisp, mechanical edge. Spacing is compact and the overall rhythm is tall and narrow, with blocky, high-shouldered forms and small, rigid apertures that keep text dense and graphic.
Best suited to short display settings where density and impact are desirable: posters, headlines, product marks, labels, and wayfinding or industrial-style signage. It can work in brief subheads or callouts, but the tight apertures and compressed forms are more effective at larger sizes than in extended body copy.
The overall tone feels industrial and utilitarian, with a rugged, hard-edged presence reminiscent of stenciled labeling and machine-era signage. Its angular facets and compressed stance give it an assertive, no-nonsense voice that reads as technical, security-minded, and slightly retro.
The design appears intended to deliver a condensed, space-efficient voice with a distinctive faceted construction that stays consistent across letters and numbers. Its geometry prioritizes strong silhouette and repeatable angular logic, suggesting a focus on bold visual branding and sign-inspired legibility.
Round characters like C, O, and Q show consistent polygonal construction, and diagonals in V, W, and X are steep and narrowly set, reinforcing the compact texture. Numerals follow the same chamfered logic, maintaining a uniform, sign-like color across mixed text.