Sans Superellipse Duril 2 is a regular weight, narrow, medium contrast, italic, normal x-height font.
Keywords: headlines, sports branding, posters, gaming ui, titles, sporty, techno, dynamic, sleek, modern, speed emphasis, compact display, modern branding, tech aesthetic, condensed, oblique, rounded corners, square-oval, stencil-like.
A condensed oblique sans with a squared, superelliptic skeleton: rounded-rectangle counters, softened corners, and mostly straight-sided curves. Strokes are clean and fairly uniform, with subtle modulation introduced by the slant and the way joins taper into terminals. Terminals are predominantly flat and angled, producing crisp stops on letters like E, F, L, and T, while bowls (O, Q, 0) read as tall rounded rectangles. The design keeps a tight rhythm and compact spacing, with distinctive, slightly cut-in shapes on some forms (notably S/s and several numerals) that add a mildly segmented, engineered feel.
Best suited to short-to-medium display settings where its condensed slant and squared rounding can signal speed and modernity—headlines, posters, team or event branding, and technology-leaning packaging. It can also work for UI accents (labels, navigation, scoreboards) where a compact footprint is helpful, though the stylized details suggest avoiding very small sizes for extended reading.
The overall tone is fast and purposeful, combining a sporty italic energy with a contemporary, tech-forward cleanliness. Its rounded-square geometry evokes industrial design and machinery, while the narrow build and sharp terminals create a sense of speed and control rather than warmth or playfulness.
The font appears designed to merge aerodynamic italic motion with a rounded-rect, engineered construction, offering a compact display voice that feels contemporary and performance-oriented. Its intentional cut-ins and flat terminals add visual bite while maintaining a consistent, geometric framework across letters and figures.
Uppercase and lowercase share a consistent oblique axis and similar corner treatment, giving mixed-case settings a unified texture. Numerals follow the same rounded-rect logic and feel display-oriented, with several figures showing stylized cuts and asymmetries that prioritize character over neutrality.