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Free for Commercial Use

Sans Superellipse Simap 4 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'PODIUM Sharp' by Machalski, 'MC Roollents' by Maulana Creative, 'Shtozer' by Pepper Type, 'Exorts Compressed' by Seventh Imperium, 'Julienne' and 'Moanin' by Wiescher Design, and 'Mahoowa' by Your type (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, packaging, condensed, assertive, retro, industrial, poster, space-saving impact, display emphasis, retro signfeel, stylized geometry, tall, blocky, rounded corners, tight spacing, high impact.


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This typeface is extremely condensed with tall, column-like proportions and a compact, high-impact texture. Strokes are heavy and largely monolinear, with subtle narrowing at joints and occasional ink-trap-like notches that help keep counters open. Curves resolve into rounded-rectangle forms rather than true circles, giving bowls and shoulders a squared, superelliptical feel. Terminals are mostly flat and blunt, and counters are small and vertically oriented, producing a strong, rhythmic stripe pattern in text.

Best suited for headlines, posters, and branding where a narrow footprint and strong presence are needed. It can work well on packaging and signage, especially in short phrases or stacked compositions. For longer reading, the dense texture and tight counters suggest using larger sizes and generous leading.

The overall tone is bold and commanding, with a distinctly retro, display-driven attitude. Its compressed geometry and squared rounds evoke industrial signage and headline typography where attention and immediacy matter more than softness or neutrality.

The design appears intended to deliver maximum impact in minimal horizontal space, combining condensed proportions with rounded-rectangle construction for a distinctive, repeatable rhythm. Its consistent verticality and blunt terminals suggest a focus on display clarity and a recognizable, stylized silhouette.

Distinctive vertical emphasis shows up across the set, including narrow apertures, tall inner counters, and tight joins that create crisp internal negative spaces. Numerals follow the same condensed, blocky logic, reading as sturdy and poster-ready rather than text-oriented.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸