Sans Other Remip 2 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Minnak' by Esintype, 'GW Pleasance' by Goodwheel Studio, 'MC Lebrozz' and 'MC Roollents' by Maulana Creative, 'Exorts Compressed' by Seventh Imperium, 'Jetlab' by Swell Type, 'Mahoowa' by Your type, and 'Supertall' by wearecolt (names referenced only for comparison).
Keywords: posters, headlines, display, branding, signage, industrial, techno, condensed, authoritarian, poster-like, space-saving, high impact, futuristic, signage-like, geometric rigidity, rectilinear, angular, monolinear, high-impact, stencil-like.
A tightly condensed, all-caps-forward sans with tall proportions and a strongly rectilinear build. Strokes are heavy and mostly uniform, with squared terminals and minimal curvature; bowls and counters are narrow, often appearing as vertical slits. Many glyphs use sharp, chamfered joins and segmented interior cuts that create a faint stencil-like rhythm, while diagonals are used sparingly and kept crisp. Spacing appears compact, producing a dense vertical texture and a rigid, mechanical cadence in text.
Best suited for display applications where impact and vertical economy matter—posters, bold headlines, packaging/branding accents, and signage-style graphics. It can work well for sci‑fi or industrial-themed titles and UI-inspired visual systems when set with generous size and careful spacing.
The overall tone feels industrial and techno, with a controlled, uncompromising presence. Its tall, compressed silhouettes and slit counters suggest utilitarian signage and futuristic interfaces, leaning toward a stern, high-impact voice rather than friendly neutrality.
The design appears intended to maximize visual punch within a very compressed footprint, using rectilinear construction and slit-like counters to maintain legibility while reinforcing a mechanical, engineered aesthetic.
In the sample text, the dense vertical strokes create strong striping at smaller sizes, while larger settings emphasize the font’s geometric quirks and internal cut details. The uppercase set reads particularly uniform and architectural, with punctuation and numerals matching the same narrow, blocky logic.