Sans Superellipse Erno 10 is a bold, narrow, monoline, italic, tall x-height font visually similar to 'Bebas Neue Pro' by Dharma Type and 'Buyan' and 'Buyan Variable' by Yu Type (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, app ui, sporty, dynamic, techy, assertive, forward-leaning, compact impact, speed cue, modern utility, brand punch, condensed, oblique, rounded corners, square-round, industrial.
A condensed, heavy oblique sans with a squared-but-rounded construction throughout. Strokes are largely uniform in thickness, with flat terminals and softened corners that give counters and bowls a rounded-rectangle feel. The caps are tall and compact with tight interior spaces, while the lowercase keeps a high waistline and narrow apertures for a brisk, efficient rhythm. Figures follow the same compressed, slanted stance, with angular joins and consistent corner radii that preserve a cohesive, engineered texture in lines of text.
Well-suited to short, high-impact settings such as sports and fitness branding, event posters, product packaging, and bold UI labels where a compact footprint is valuable. It also works for titling and subheads when you want a tightly set, forward-moving texture.
The overall tone is fast and purposeful, combining a sporty lean with a clean industrial polish. Rounded corners temper the aggressiveness of the weight, producing a modern, performance-oriented voice that reads as confident and contemporary.
The design appears intended to deliver maximum punch in minimal horizontal space, using a consistent oblique angle and rounded-rect geometry to suggest speed and modernity. Its uniform stroke behavior and softened corners point to a functional, system-like approach aimed at crisp, repeatable shapes across letters and figures.
In text, the strong slant and condensed width create a dark, energetic color; spacing appears tuned to keep lines compact without losing the geometric regularity. Rounded-rectangle counters are especially evident in letters like O/Q and in the numerals, reinforcing the font’s cohesive, modular feel.