Sans Other Abgas 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Panton Rust' by Fontfabric, 'Sebino Soft' by Nine Font, 'TT Hoves Pro' by TypeType, and 'Betm Rounded' and 'Meltow' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, chunky, friendly, cartoonish, bouncy, playfulness, approachability, handmade feel, display impact, rounded, soft corners, irregular, hand-cut, bulbous.
A heavy, rounded sans with soft corners and subtly irregular, hand-cut outlines. Strokes stay broadly uniform, with gently tapered joins and slightly wobbly edges that create a lively rhythm rather than strict geometric precision. Counters are open and generously sized for the weight, and many forms lean on simplified, chunky construction (notably in the diagonals and terminals), giving the alphabet a compact, buoyant silhouette. The numerals match the same bold, rounded logic, with wide bowls and friendly proportions that prioritize impact over strict consistency.
Best suited to short, bold applications where personality matters: headlines, posters, product packaging, kids’ materials, stickers, and playful branding. It can also work for social graphics and splashy callouts, especially when set with generous tracking and ample line spacing to keep the texture from feeling dense.
The overall tone is upbeat and informal, with a humorous, kid-friendly feel. Its unevenness reads intentional and crafted, evoking cut-paper lettering or hand-rendered display type meant to feel approachable and fun rather than corporate or technical.
The design appears intended as a characterful, high-impact display sans that feels handmade and approachable. Its rounded, chunky forms and deliberate irregularity suggest an emphasis on warmth and playfulness while staying legible in large sizes.
The font’s character comes from small asymmetries and slightly varied curve tension across letters, which adds personality at headline sizes but can make long passages feel busy. Round letters (O, Q, o, e) maintain strong presence through large internal space, helping preserve clarity despite the extreme weight.