Sans Superellipse Ukrod 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry; 'Hype vol 3' by Positype; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, poster, assertive, retro, space saving, high impact, graphic display, condensed, blocky, rounded corners, uniform strokes.
A compact, heavy sans with tall, condensed proportions and tightly controlled counters. The shapes are built from rounded-rectangle geometry, giving curves a squarish, superelliptical feel rather than fully circular bowls. Strokes stay largely uniform with blunt, softly chamfered terminals, and curves transition into straights with minimal modulation for a sturdy, engineered rhythm. Uppercase forms read rigid and vertical, while lowercase keeps a similar compact build with short extenders and firm joins, maintaining a consistent, dense texture in text.
Best suited to headlines, posters, and signage where compact width and strong emphasis are beneficial. It can work well on packaging and brand marks that need a tall, dense wordshape, and for sports/industrial-style graphics where a firm, condensed voice is desirable.
The overall tone is forceful and utilitarian, with a bold, no-nonsense presence that feels at home in attention-grabbing settings. Its rounded-rectangle construction adds a subtle retro-industrial flavor, balancing toughness with a touch of friendliness from the softened corners.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle skeletons to keep forms sturdy and highly graphic. Its consistent, blunt detailing suggests a focus on clear, reproducible shapes for display typography rather than delicate text refinement.
The condensed spacing and small apertures create a dark, packed color that favors short headlines and stacked lines. Numerals match the blocky construction and appear designed to hold their shape at large sizes, reinforcing a cohesive, sign-like feel across letters and figures.