Sans Other Abraf 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Comic Jungle' by Blankids and 'Knicknack' by Great Scott (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, branding, playful, quirky, friendly, chunky, cartoonish, standout, approachability, humor, handmade, youthful, bouncy, rounded, wobbly, soft corners, compact counters.
A heavy, blocky sans with rounded corners and irregular, hand-cut geometry. Strokes are consistently thick with minimal contrast, while terminals and joins show slight wobble and angled cuts that keep the outline from feeling strictly geometric. Proportions vary across letters, with wide bowls and compact interior counters; curves are generous and the overall silhouette reads as chunky and simplified. Spacing and alignment feel intentionally loose and lively, producing a buoyant rhythm in words and lines of text.
Best suited to bold display settings such as posters, headlines, packaging, and brand marks where a fun, attention-grabbing tone is needed. It also works well for children’s content, event promos, and social graphics, especially when set large and with generous line spacing to let the shapes breathe.
The letterforms convey an upbeat, informal tone—more playful than polished—suggesting a cartoon or cut-paper sensibility. Its uneven angles and soft, inflated shapes create a friendly, energetic voice that feels approachable and humorous rather than serious or technical.
The design appears intended to deliver maximum impact with a cheerful, handmade feel, prioritizing personality and immediacy over strict typographic neutrality. Its controlled irregularities suggest a deliberate effort to make text feel lively and approachable in short, prominent bursts.
Numerals and capitals share the same exaggerated mass and slightly tilted, irregular construction, helping headings feel animated. The design stays coherent across the set by repeating rounded corners, thick strokes, and subtly off-kilter contours, which become more noticeable (and characterful) at larger sizes.