Sans Other Abmuv 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Skate' and 'Timeout' by DearType, 'Higakles' by Edignwn Type, 'Goodrich' by Hendra Pratama, 'Editorial Feedback JNL' and 'Paint Store JNL' by Jeff Levine, and 'Oxford Press' by Set Sail Studios (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, children's, playful, punchy, retro, cartoonish, friendly, attention, personality, display, retro feel, friendly tone, rounded, chunky, condensed, quirky, irregular.
A heavy, condensed sans with chunky strokes and softly rounded corners. The letterforms mix straight, slabby stems with bulbous curves, creating a slightly irregular, hand-cut rhythm rather than a strictly geometric construction. Counters are compact and often teardrop-like, with simplified apertures and sturdy joins that keep silhouettes bold and readable. The overall texture is dense and assertive, with subtle inconsistencies in curve tension and terminal shapes that add character.
Best suited to display settings such as headlines, posters, branding marks, and packaging where bold silhouettes and a playful voice are desired. It can work for short blocks of text at larger sizes, but its dense color and compact counters suggest using generous tracking and line spacing for improved clarity.
The font reads as upbeat and informal, with a cartoon-adjacent energy and a retro display feel. Its compact width and inflated shapes give it a shouty, attention-grabbing tone that feels approachable rather than severe.
The design appears intended as a characterful, high-impact sans for attention-driven typography, prioritizing distinctive silhouettes and a friendly, retro-leaning presence over neutral text utility.
In the sample text, the weight and condensed set create strong dark color on the line, while the quirky detailing becomes more noticeable at larger sizes. Numerals follow the same chunky, rounded logic, matching the letters for cohesive headline use.