Outline Umji 3 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, titles, packaging, retro, techy, mystical, playful, geometric, display impact, decorative lettering, coded aesthetic, retro styling, angular, monoline, linear, faceted, rune-like.
A geometric outline display face built from monoline contours with sharp corners and consistent stroke behavior. Letterforms are constructed from straight segments, triangles, and diamond-like counters, often using split or doubled outline paths that create a hollow, wireframe look. Curves are largely avoided in favor of faceted geometry, and many glyphs lean on stylized cuts and notches that give the alphabet a constructed, emblematic rhythm. Spacing appears relatively open, with irregularities in width across characters contributing to a hand-built, sign-like cadence in text.
Best suited to short, prominent text such as posters, titles, album or game branding, and logo wordmarks where its angular outline construction can be appreciated. It also fits themed packaging, event graphics, and UI/overlay titling for sci‑fi or fantasy settings, especially when paired with a simpler text face for body copy.
The font reads as retro-futuristic and arcane at once—part Art Deco liner, part rune or puzzle cipher. Its angular outlines and gem-like shapes suggest technology, cryptography, and fantasy props, while the airy hollow construction keeps it light and playful rather than heavy or aggressive.
The design appears intended as an attention-grabbing outline display alphabet that prioritizes geometric character and symbolic flair over conventional readability. Its consistent linear construction and repeated diamond/triangle motifs suggest a deliberate aim to evoke coded inscriptions and retro decorative lettering in a cohesive system.
Distinctive diamond forms (notably in O-like shapes) and triangular terminals create strong iconographic silhouettes, which can boost impact at larger sizes but make continuous reading more decorative than neutral. Numerals follow the same linear, faceted logic, with segmented constructions that resemble signage or digital-era ornament rather than traditional text figures.