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Outline Vara 1 is a light, normal width, low contrast, upright, short x-height font.

Keywords: headlines, posters, logotypes, packaging, invitations, art deco, elegant, retro, geometric, stylish, display impact, deco revival, geometric clarity, branding tone, ornamental detail, monoline, outlined, linear, streamlined, architectural.


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A monoline outline face built from crisp, even strokes with generous interior counters and open, airy color. Uppercase forms lean geometric with simplified construction and occasional inset-like vertical bars that suggest an internal frame, while curves stay smooth and near-circular. The lowercase is more restrained and readable, with single-storey shapes and minimal terminals, creating a clear contrast between display-minded caps and utilitarian minis. Spacing appears moderate and consistent, and the overall rhythm is clean and orderly rather than calligraphic.

Best suited to display settings where the outline drawing can be appreciated—headlines, poster typography, branding marks, and packaging titles. It can also work for short pull quotes or event collateral where a refined, retro-modern tone is desired. For longer text, it will be most effective at larger sizes with comfortable tracking.

The outline construction and streamlined geometry give the font a polished, period-tinged tone that reads as Art Deco and modernist at once. It feels refined and slightly theatrical, projecting sophistication without heaviness. The alternation between crisp straight segments and controlled curves contributes to a poised, architectural vibe.

The design appears intended as a decorative outline display face that mixes geometric modernism with subtle internal framing to add visual interest. The split personality between stylized capitals and simpler lowercase suggests a focus on flexible headline setting—caps for character, lowercase for clarity—while keeping an overall clean, structured silhouette.

Capitals show the strongest stylistic signature through internal linear details and occasional asymmetric joins, which can create lively texture in headlines. At smaller sizes the outline nature and interior detailing may visually thin out, while at larger sizes the open counters and linear precision become the main attraction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸