Sans Superellipse Fyrey 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'Ultimatum MFV' by Comicraft, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, display ui, sporty, punchy, dynamic, retro, assertive, high impact, athletic tone, friendly strength, headline focus, rounded, oblique, compact, blocky, soft corners.
This is a heavy, slanted sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and largely uniform, with broad curves that feel more superelliptical than circular, giving bowls and counters a squarish-round geometry. Terminals are clean and blunt, joins are sturdy, and the overall silhouette reads compact and dense, with tight interior counters that increase ink presence. The rhythm is energetic and forward-leaning, and the numerals and uppercase maintain the same chunky, streamlined logic for strong at-a-glance recognition.
Best suited to display roles where impact and speed are desired: sports identities, team merchandise, event posters, and bold packaging callouts. It can also work for large-size interface headers or promo graphics where a compact, rounded, high-ink texture improves legibility and presence.
The tone is bold and kinetic, with a sporty, poster-like confidence. Its rounded block forms and strong slant evoke retro athletic branding and high-impact advertising, balancing toughness with a friendly softness from the curved corners.
The design appears intended to deliver maximum punch in short phrases by combining a strong oblique stance with rounded, superelliptical forms. It aims for a contemporary-retro athletic feel that stays clean and geometric while remaining approachable through softened corners.
The design prioritizes solid silhouettes over fine detail: apertures and counters stay relatively small, and diagonals and curves are simplified into smooth, continuous shapes. The oblique angle is pronounced enough to create motion in headlines, while the rounded geometry keeps the texture cohesive across mixed-case settings.