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Free for Commercial Use

Sans Superellipse Ogrid 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Double Porter' by Fenotype, 'Miguel De Northern' by Graphicxell, 'Moneer' by Inumocca, and 'Posterman' by Mans Greback (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, condensed, confident, retro, compact, impact, space saving, approachability, durability, brand voice, rounded corners, blocky, compact rhythm, uniform stroke, tight spacing.


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A heavy, compact sans with squared proportions softened by generous corner rounding. Strokes are uniformly thick with minimal modulation, producing dense counters and a strong, poster-like color. Curves tend to resolve into rounded-rectangle geometry, and joins are blunt and stable, giving letters a sturdy, machined feel. The lowercase keeps a straightforward, utilitarian construction with short extenders, while numerals follow the same compact, blocky rhythm for consistent texture in lines of copy.

This font is well suited to headlines, posters, and display typography where a dense, impactful voice is needed. It works effectively for packaging and signage, especially in short phrases that benefit from compact width and strong presence. It can also support bold branding systems—such as sports, tools, or industrial-themed identities—where sturdy, rounded forms help balance toughness with approachability.

The overall tone is bold and assertive with an industrial, slightly retro sensibility. Its rounded-block construction reads friendly enough to avoid harshness, but still communicates strength and directness. The condensed, packed rhythm adds urgency and impact, making it feel designed for attention-grabbing statements.

The design appears intended to deliver maximum visual impact in a compact footprint while keeping forms approachable through rounded corners. Its consistent, superellipse-like geometry suggests a goal of creating a cohesive, modern-industrial display sans that remains legible and stable under heavy weight.

Because the counters are tight and the interior shapes are compact, the font’s strongest performance is at medium to large sizes where its rounded corners and strong silhouettes remain clear. The ampersand and punctuation inherit the same chunky, rounded-rect logic, helping maintain a uniform texture across mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸