Sans Superellipse Okmok 13 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Gravitica Compressed', 'Hoolister', and 'Virtuose' by Ckhans Fonts; 'Monopol' by Suitcase Type Foundry; and 'Polate' and 'Polate Soft' by Typesketchbook (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, logotypes, industrial, condensed, poster, retro, punchy, space saving, high impact, signage tone, retro utility, bold branding, blocky, rounded, vertical, compact, monoline.
A compact, tightly set sans with tall, condensed proportions and heavy, even strokes. Forms are built from rounded-rectangle geometry, producing squarish counters and soft, blunted terminals rather than sharp corners. Curves stay controlled and vertical stress dominates, giving letters a stacked, upright rhythm with minimal contrast and strong black shapes. The lowercase follows the same narrow, sturdy construction, with simplified joins and short crossbars that keep the texture dense and consistent.
Best suited to display applications where high impact and compact width are needed, such as posters, headlines, product packaging, and wayfinding or industrial-style signage. It can also work for short brand marks and bold callouts where a condensed, rounded-block look helps conserve space while staying loud and clear.
The overall tone is assertive and utilitarian, with a rugged, industrial flavor. Its rounded block forms feel retro and mechanical at once, projecting confidence and immediacy rather than delicacy. The dense vertical rhythm adds urgency and impact, making text feel like signage or stamped labeling.
The design appears intended to deliver maximum presence in a narrow footprint by combining heavy monoline strokes with rounded-rectangle construction. Its simplified, sturdy shapes aim for quick recognition and a consistent, high-contrast page presence, optimized for bold statements rather than long reading.
Round letters like O/C/G read more like softened rectangles than true ovals, which reinforces a techno-signage personality. Figures are similarly compact and sturdy, designed to hold solid color and maintain recognizable silhouettes at display sizes. The punctuation and spacing in the sample suggest a tight, headline-oriented texture where word shapes stay bold and columnar.