Sans Normal Ohdun 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Metcon' by Comicraft, 'Benn Beckman' by Factory738, 'Geometos Soft' by Graphite, 'Lemon Milk Pro' by Marsnev, 'Madera' by Monotype, and 'Glendale' by Sarid Ezra (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, playful, modern, confident, chunky, impact, approachability, clarity, modernity, bold branding, rounded, geometric, soft, sturdy, high contrast.
A heavy, geometric sans with rounded bowls and corners paired with crisp, straight terminals. Curves are built from near-circular forms, while diagonals (A, K, V, W, X, Y) are sharp and decisive, creating a clean, graphic silhouette. Counters are relatively small for the weight, and joins are smooth and simplified, giving letters a compact, punchy texture in text. Numerals are similarly bold and streamlined, with clear, simple shapes and minimal internal detail.
Best suited to display sizes where its heavy strokes and compact counters read as intentional impact—headlines, posters, social graphics, packaging, and bold branding. It can also work for short UI labels or signage when high visibility is needed, but extended small-size text may feel dense due to the weight and tight internal spaces.
The overall tone is friendly and contemporary, with a playful, approachable softness coming from the rounded curves and simplified constructions. At the same time, the mass and solidity project confidence, making it feel energetic and attention-grabbing without becoming decorative.
The design appears intended to deliver maximum visual impact with a friendly, geometric voice—combining rounded forms for approachability with strong, simplified structures for clarity and punch. It targets modern display typography needs where clean shapes and bold presence are more important than delicate detail.
In running text the dense weight and tight counters create strong word shapes and a pronounced rhythm, especially in lowercase. The design leans toward clean geometry rather than humanist modulation, and the punctuation and spacing shown in the sample maintain a bold, poster-like presence.