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Free for Commercial Use

Sans Normal Ofnuh 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Hanley Pro' by District 62 Studio, 'Doris' by Fontsphere, 'Averta Standard PE' by Intelligent Design, and 'Unpretentious JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, kids branding, playful, friendly, chunky, retro, comic, impact, approachability, playfulness, retro appeal, display clarity, rounded, soft corners, bulky, bouncy, high contrast (shape).


Free for commercial use
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A heavy, rounded sans with thick, even strokes and softly blunted corners. Curves are generous and almost circular in letters like O, C, and G, while straight-sided forms (E, F, H, N) keep a sturdy, blocky silhouette. Terminals tend to look cut or flattened rather than tapered, and counters are compact, giving the face a dense, impactful color on the page. Lowercase forms are simple and robust, with single-storey a and g, a rounded e with a closed eye, and a tall, straightforward i/j treatment that reads clearly at display sizes.

This font is best suited to headlines, posters, and prominent callouts where its weight and rounded geometry can carry the message. It works well for packaging, brand marks, and playful advertising, especially when you want a friendly, retro-leaning impact. In longer text blocks it will feel heavy, but for short statements and display typography it delivers strong visibility.

The overall tone is upbeat and approachable, with a buoyant rhythm created by wide curves and compact counters. Its chunky shapes and softened geometry evoke a retro, cartoon-leaning friendliness while still feeling clean and straightforward. The effect is bold and attention-grabbing rather than refined or understated.

The design appears aimed at delivering maximum punch with a welcoming, rounded voice—combining simple geometric construction with compact counters to stay bold and readable. Its softened corners and sturdy proportions suggest an intention to feel approachable and fun while remaining clean enough for modern branding and signage.

Round letters and diagonals show a slightly “cut-out” feel where joins and terminals meet, contributing to a crafted, poster-like character. Numerals follow the same sturdy logic, with simple, bold silhouettes designed to stay legible when set large and tight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸