Sans Contrasted Uhle 10 is a bold, very wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, sports, technology, tech, industrial, sporty, futuristic, assertive, impact, modernity, technical feel, display emphasis, brand presence, squared, rounded corners, condensed counters, modular, hard-edged.
A heavy, wide sans with squared, rounded-corner construction and pronounced thick–thin contrast. Curves resolve into flattened arcs and rectangular bowls, giving many letters a capsule-like, engineered feel (notably in C/G/O/Q and the lowercase o). Terminals are predominantly straight and blunt, with occasional tapered joins in diagonals (V/W/X/Y) that sharpen the overall rhythm. Spacing and proportions favor broad uppercase forms and compact inner counters, producing strong, blocky word shapes with a consistent, machined geometry.
Best suited to large sizes where the squared curves and contrast can register clearly—headlines, posters, campaign graphics, and bold branding systems. It can also work for tech, automotive, or sports-themed packaging and signage where strong, wide letterforms help create immediate impact.
The tone is modern and forceful, suggesting technology, machinery, and competitive energy. Its squared curves and decisive terminals read as purposeful and engineered rather than friendly or casual, lending a confident, performance-oriented voice to headlines.
The design appears intended to merge a geometric, rounded-rectangle skeleton with contrasted stroke modulation, creating a contemporary display sans that feels engineered and high-performance. It prioritizes punchy silhouettes and a technical rhythm for attention-grabbing typographic statements.
Distinctive details include a single-storey lowercase a with a flat, extended top bar, a compact lowercase s with a long horizontal spine, and digit forms that mix rounded-rect counters with angular strokes for a technical, display-forward texture. The overall silhouette remains clean and sans-like despite the contrasted strokes, making it feel contemporary rather than retro-scripted.