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Free for Commercial Use

Sans Normal Ondag 5 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Nomenclatur Mono' by Aronetiv, 'Gravitica Mono' by Ckhans Fonts, 'Airo' by LetterMaker, 'Cindie 2' and 'Cindie Mono' by Lewis McGuffie Type, 'Harmonia Sans' by Monotype, 'Arbeit Technik' by Studio Few, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, packaging, industrial, utilitarian, technical, no-nonsense, retro, clarity, impact, utility, systematic, blocky, rounded, sturdy, high-impact, uniform.


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A heavy, monoline sans with compact, squared-off proportions and softly rounded corners. Strokes are consistently thick with minimal modulation, producing sturdy, even color across lines. Curves are simplified into broad arcs and near-rectilinear joins, while counters stay open and legible at larger sizes. The overall geometry feels engineered and uniform, with a steady rhythm and strong vertical emphasis.

Best suited to short, high-impact text such as posters, headings, product labels, and wayfinding where strong presence and consistent rhythm are helpful. It can also work for UI badges, counters, and technical readouts when a bold, industrial flavor is desired, though its dense color may feel heavy for long-form body copy.

The font projects a practical, workmanlike tone—confident, direct, and slightly retro in a typewriter/terminal-adjacent way. Its dense weight and systematic shapes suggest reliability and clarity rather than elegance, giving text a robust, tool-like presence.

The design appears aimed at delivering a durable, highly legible display sans with an engineered, systematized feel. Its simplified curves, consistent stroke weight, and sturdy terminals prioritize clarity and visual punch over refinement, making it well suited to pragmatic, graphic-forward typography.

Letterforms favor simple construction and strong silhouettes, with distinctive, chunky punctuation and numerals that match the same sturdy logic. The heavy weight and uniform spacing create prominent texture in paragraphs, which reads best when line spacing is not too tight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸