Sans Faceted Omba 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Hando Soft' by Eko Bimantara, 'Catesque' by Gumpita Rahayu, 'Basic Sans' by Latinotype, 'Malnor Sans' by Sikifonts, and 'Bahn' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, tech ui, technical, futuristic, industrial, utilitarian, crisp, geometric system, tech tone, constructed forms, modern display, faceted, angular, chamfered, octagonal, monolinear.
A crisp, monolinear sans with faceted construction that replaces curves with short straight segments and chamfered corners. Round letters and numerals (C, G, O, Q, 0, 8, 9) read as octagonal forms with consistent corner cuts, while straight-sided glyphs keep clean verticals and horizontals with minimal modulation. The lowercase follows the same geometry, with single-storey forms and compact, straight terminals; counters are open and neatly proportioned for clarity. Overall spacing feels even and controlled, producing a steady rhythm across both caps and text.
Best suited to display and short-to-medium text where its polygonal rounds can read as a stylistic asset: tech branding, game and film titling, posters, packaging, and UI labels for tools or hardware-themed interfaces. It can also work for signage and wayfinding where a sharp, engineered voice is desired.
The faceted geometry gives the typeface a technical, engineered tone—more machine-made than handwritten. Its sharp cornering and polygonal rounds suggest a contemporary sci‑fi or industrial aesthetic while remaining straightforward and readable.
The letterforms appear designed to translate a geometric sans into a faceted, planar language—keeping familiar proportions while imposing a consistent chamfer-and-segment system. The intention reads as creating a modern, technical voice that feels constructed and precise without resorting to extreme stylization.
Distinctive details include the angular tail on Q, pointed joins on V/W, and numerals that mirror the same chamfered logic (notably 2, 3, 5, and the octagonal 0/8/9). The design maintains a consistent system of corner cuts across the set, which helps it feel cohesive in longer lines of text.