Sans Faceted Jihy 1 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, ui display, signage, futuristic, technical, sci-fi, digital, industrial, tech aesthetic, interface tone, brand impact, geometric consistency, angular, faceted, octagonal, squared, geometric.
This typeface is built from straight, uniform strokes with corners cut into crisp facets, creating octagonal and squared counters in place of true curves. Letterforms feel expanded horizontally, with generous widths and open apertures that keep shapes legible despite the sharp geometry. Terminals are mostly flat and orthogonal, while diagonals appear in characters like K, V, W, X, and Y, maintaining consistent stroke thickness and a clean, engineered rhythm. The lowercase follows the same constructed logic, with single-storey forms and squared bowls that echo the caps.
Best suited for display roles where its wide, faceted construction can be a defining graphic element—headlines, branding, product marks, and poster typography. It also fits interface-style applications such as dashboards, game titles, sci‑fi themed screens, and environmental or wayfinding signage where a technical, fabricated look is desirable.
The overall tone is sleek and machine-made, suggesting interfaces, hardware labeling, and near-future aesthetics. Its faceted corners and wide stance read as purposeful and utilitarian, with a subtle retro-digital flavor reminiscent of arcade, aerospace, and tech branding.
The design appears intended to modernize a sans foundation by replacing curves with planar bevels, producing a crisp, fabricated aesthetic that feels compatible with digital systems and industrial contexts. The consistent stroke and disciplined geometry suggest a focus on strong silhouettes and easy recognition in short-to-medium text settings.
The numerals and rounded letters (such as O, C, G, and S) emphasize the design’s signature by translating curves into beveled segments, producing a distinctive polygonal silhouette. Spacing and stroke consistency support clarity in short strings, while the strong geometry becomes the primary visual texture in longer passages.