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Free for Commercial Use

Serif Flared Ugka 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Plasto' by Eko Bimantara, 'Apres' by Font Bureau, 'Belle Sans' by Park Street Studio, 'Lyu Lin' by Stefan Stoychev, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, editorial, magazines, branding, posters, classic, authoritative, formal, literary, impact, heritage tone, display clarity, editorial voice, brand presence, high contrast, flared terminals, wedge serifs, bracketed feel, crisp joins.


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A bold serif with high-contrast structure and distinctly flared, wedge-like terminals that broaden at stroke endings. The letterforms are upright and fairly compact, with sturdy verticals, sharper joins, and a controlled, slightly angular rhythm rather than soft calligraphic swelling. Serifs read as tapered and chiseled, giving capitals a carved presence, while the lowercase stays clear and traditional with rounded counters and firm, stable feet. Numerals are similarly weighty and punchy, matching the strong stroke endings and overall dense color.

This font is well suited to headlines, subheads, and editorial typography where a strong, traditional serif presence is desired. It can also support branding and poster work that benefits from a confident, carved-looking serif style, particularly at medium to large sizes where the flared terminals and contrast read clearly.

The overall tone is confident and editorial, pairing a classical, bookish voice with a modern sharpness. Its boldness and flared finishing details suggest authority and tradition without feeling overly delicate.

The design appears intended to deliver a robust serif voice with recognizable classical cues, while using flared stroke endings to add distinctive character and impact. It prioritizes a dense, authoritative typographic color and a memorable silhouette for display-oriented use.

The design shows strong consistency in how terminals flare and how curves transition into straights, which helps long text blocks keep an even texture at larger sizes. The heavier weight and pronounced terminals create a distinctive silhouette, especially in capitals and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸