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Free for Commercial Use

Distressed Efkaf 6 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Whitney' by Hoefler & Co.; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'Grandeux Serif' by Mans Greback; 'Belle Sans' by Park Street Studio; and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).

Keywords: posters, headlines, packaging, beer labels, event promos, rugged, vintage, rowdy, playful, handmade, printed grit, retro display, bold impact, tactile tone, slab serif, soft brackets, inked, textured, blunt terminals.


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A heavy, italicized slab-serif with chunky proportions, soft bracketed joins, and blunt terminals. The outlines are intentionally imperfect, with worn edges and speckled interior texture that suggests rough printing or ink spread. Counters are compact and slightly irregular, and the overall rhythm feels lively rather than rigidly geometric. Uppercase forms are broad and sturdy; lowercase shows simplified, weighty shapes with a single-storey a and a robust, utilitarian feel.

Best suited to display work where texture and weight are assets: posters, large headlines, packaging, and label-style branding. It also works well for short bursts of text (pull quotes, badges, signage) where a bold, vintage-rough voice is desired, but the heavy texture may be too busy for long-form reading at small sizes.

The font reads bold and boisterous, mixing a classic poster sensibility with a rough, hands-on attitude. Its distressed texture adds grit and warmth, giving copy an approachable, slightly rebellious tone that feels at home in throwback or craft-forward settings.

Likely designed to deliver a classic slab-serif poster look with built-in wear and print grit, combining strong silhouette readability with a deliberately imperfect, tactile surface. The italic slant reinforces a sense of momentum and informality while keeping the overall structure sturdy and headline-driven.

The distressed pattern is consistent across glyphs, creating an even “inked” color at display sizes while adding visible noise in larger headlines. Numerals and capitals carry a strong, blocky presence, and the italic slant adds forward motion without becoming cursive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸