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Free for Commercial Use

Outline Timy 5 is a very light, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, logo, packaging, posters, invitations, art deco, elegant, airy, jewelry-like, refined, decoration, luxury branding, retro display, engraved look, refinement, inline, monoline, hairline, display, ornamental.


Free for commercial use
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A delicate outline serif with an inner inline that creates a double-contour, hollow effect throughout the glyphs. Strokes are hairline-thin and crisply drawn, with high-contrast behavior implied by tapered joins and sharp transitions at terminals. Proportions skew tall and slightly condensed in the capitals, while the lowercase stays clean and readable with modest roundness and a conventional serif structure. Counters are generous due to the open construction, and curves (C, O, S, g) maintain a smooth, controlled geometry; diagonals (V, W, Y, X) feel sharp and faceted. Numerals follow the same airy, ornamental logic, with open forms and fine contouring that reads like engraved linework.

Best suited to display settings such as editorial headlines, logos, packaging, and event materials where the outline detailing can be appreciated. It can also work for short, high-contrast text treatments (pull quotes, title cards, menus) when set large with ample tracking and clean backgrounds.

The overall tone is luxe and formal, evoking engraved signage, fashion branding, and classic Art Deco-era display typography. Its lightness and outlined construction give it a brittle, jewel-like elegance rather than a utilitarian feel, making it appear poised, ceremonial, and slightly theatrical.

The design appears intended to translate classic serif proportions into an outlined, engraved aesthetic, emphasizing sophistication through minimal stroke mass and decorative inner contouring. It prioritizes visual sparkle and period flavor over small-size robustness, aiming for standout, upscale typography in prominent placements.

Because the letterforms rely on very fine outlines and internal striping, the design reads best when given enough size and contrast against the background; at small sizes the detailing can visually soften or thin out. Spacing appears even and calm in running text, but the strongest impression comes from the distinctive double-line contours on key curves and verticals.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸