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Free for Commercial Use

Inline Igfu 4 is a light, normal width, medium contrast, upright, short x-height font.

Keywords: headlines, display, editorial, packaging, invitations, elegant, ornate, classic, fashion, dramatic, engraved look, luxury tone, editorial flair, decorative detail, classical revival, didone-like, high-waisted, hairline, inline stripe, calligraphic.


Free for commercial use
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A refined serif with crisp, high-contrast letterforms and a distinctive inline cut that runs through most strokes, creating a carved, double-stem effect. The design shows sharp wedge and triangular serifs, fine hairlines, and a generally vertical axis with tall capitals and comparatively small lowercase bodies. Curves are smooth and controlled, with a slightly calligraphic taper in terminals; the inline detail stays consistent across rounds and straights, giving the set a bright, engraved look. Numerals follow the same elegant, thin-to-thick rhythm, with graceful curves and narrow joins that emphasize delicacy over mass.

Best suited to display settings such as magazine headlines, section openers, posters, and brand marks where the inline detailing can be appreciated. It also fits premium packaging and invitation work, especially when paired with minimal supporting type. For long-form reading, it is more effective in short passages or pull quotes than dense body copy.

The overall tone is luxurious and theatrical, evoking editorial fashion typography and vintage engraving. Its inline detail reads like etched metal or letterpress ornamentation, adding sophistication and a touch of drama. The result feels formal and cultivated rather than utilitarian.

The font appears designed to merge a classical, high-fashion serif structure with an engraved inline treatment, prioritizing elegance and decorative texture. The consistent carved interior line suggests an intention to add depth and refinement while keeping overall forms crisp and legible at display sizes.

At text sizes the inline carving becomes a prominent texture, so spacing and line length will strongly affect color and readability. The small lowercase proportions and fine joins suggest it will look best when given room—slightly larger sizes and generous leading help the intricate interior lines remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸