Outline Lyme 1 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, titles, signage, techno, retro, architectural, game-like, futuristic, futurism, modularity, display impact, tech aesthetic, monoline, geometric, square, angular, outlined.
A monoline outline design built from straight segments and hard corners, with a consistent double-line contour that creates open counters throughout. Letterforms are wide and predominantly rectilinear, with squared bowls, stepped terminals, and occasional diagonal joins for shapes like A, K, V, W, X, and Y. The geometry favors right angles and modular construction, producing a crisp, grid-like rhythm and a distinctly engineered texture in both uppercase and lowercase. Numerals follow the same boxy logic, with segmented, display-oriented forms that read like simplified digital constructions.
Best suited to display settings such as headlines, posters, title cards, and branding marks where a geometric, high-concept look is desired. It can work well for tech, gaming, sci‑fi, or industrial-themed graphics, and for signage or labels where a crisp outlined style adds visual character.
The overall tone feels technical and retro-futurist, evoking arcade interfaces, circuit-like signage, and architectural drafting. Its open, skeletal outlines give it a lightweight, airy presence while still reading as bold and mechanical due to the squared structure and strict geometry.
The design appears intended as a constructed, grid-informed outline display face that prioritizes a futuristic, modular look over conventional text comfort. Its wide proportions and angular, stepped detailing suggest an aim for strong stylistic identity in short phrases and branding applications.
Because the strokes are rendered as outlines rather than filled shapes, the font’s impact relies on scale and contrast with the background; it reads most confidently when given enough size and spacing for the inner voids to remain clear. The consistent angular system helps maintain cohesion across glyphs, while the more segmented curves (notably in C, G, S, and 2/3) reinforce the modular, constructed aesthetic.