Outline Lyve 3 is a regular weight, wide, monoline, upright, tall x-height font.
Keywords: headlines, logotypes, posters, ui titles, packaging, futuristic, techno, arcade, geometric, retro, sci-fi branding, digital display, systematic geometry, graphic impact, rounded corners, inline detail, squared bowls, open counters, high contrast gaps.
This is a geometric outline display face built from squared forms with generously rounded corners and consistently even stroke spacing. Letterforms rely on open, rectangular counters and an inner inline that mirrors the outer contour, creating a crisp double-line/track-like construction. Curves are minimized in favor of orthogonal turns; bowls and shoulders read as softened rectangles, while diagonals (as in K, V, W, X) keep a clean, engineered angle. The numerals and capitals share the same modular rhythm, with wide proportions and clear interior spacing that keeps the outlines from clogging at larger sizes.
Best suited to display settings where the outline and inset detailing can read clearly—such as headlines, branding marks, event posters, game/tech graphics, and short UI titles. It can also work for packaging or signage when set large with ample tracking, but it is less appropriate for dense body copy due to the lightweight outline-only structure.
The overall tone feels futuristic and technical, with a retro-digital edge reminiscent of arcade, sci‑fi interface, and industrial labeling aesthetics. The doubled contour detail adds a sense of motion and circuitry, giving headlines a sleek, engineered confidence rather than a casual or literary feel.
The design appears intended to deliver a clean, modular techno voice through squared geometry, rounded corners, and a consistent inner contour that suggests depth and engineered precision. Its system-like construction prioritizes visual identity and stylized readability over text economy.
The outline construction is visually dominant, so color and background contrast will strongly affect legibility and impact. The punctuation and dots shown (e.g., i/j) follow the same squared, inset approach, reinforcing a tightly systemized, modular look across the set.