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Serif Other Ekza 8 is a bold, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, branding, editorial display, theatrical, vintage, playful, dramatic, ornate, display impact, decorative texture, retro styling, brand voice, stencil-like, ink-trap cuts, teardrop terminals, wedge serifs, high-waisted caps.


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A decorative serif design built from heavy, softly contoured strokes interrupted by consistent cut-ins that create a stencil-like, segmented silhouette. Forms are generally upright and broad, with generous counters and pronounced, sculpted terminals that often taper into teardrop or wedge-like ends. The cut shapes appear systematically placed at joins and curves, producing a rhythmic pattern of notches across rounds (C, O) and at key transitions in letters like S, R, and W. Uppercase characters feel tall and stately, while lowercase maintains a conventional x-height with robust verticals and compact apertures, giving text a dense, graphic texture.

Best suited for display typography such as posters, headlines, cover lines, and branding where its cut-in detailing can be appreciated. It also works well for packaging or label-style applications that benefit from a vintage, theatrical aesthetic. For longer passages, it will be most effective in larger sizes or with generous spacing.

The overall tone is showy and stylized—evoking classic display lettering with a slightly mischievous, stage-poster flair. Its repeated internal cuts add a crafted, almost mask-like character that reads as vintage and playful rather than purely formal. The result feels bold and attention-seeking, with a strong decorative voice suited to headline moments.

The design appears intended to reinterpret a classic serif structure through a consistent system of decorative cutaways, creating a distinctive, stencil-like identity while retaining recognizable letterforms. The emphasis is on strong silhouette and rhythmic internal detailing to produce impact in titles and short-setting typography.

The numerals and punctuation inherit the same segmented logic, helping the font feel cohesive in mixed content. The distinctive cut-ins can reduce clarity at small sizes, but they create a memorable pattern at display scales and in short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸