Sans Superellipse Gibuk 1 is a very bold, normal width, low contrast, upright, short x-height font visually similar to 'Bike Tag JNL' by Jeff Levine and 'Block Capitals' by K-Type (names referenced only for comparison).
Keywords: logotypes, posters, headlines, gaming ui, sci‑fi titles, futuristic, techno, arcade, industrial, sci‑fi, tech branding, display impact, interface styling, retro‑futurism, geometric, rounded corners, squared curves, stencil‑like, modular.
A heavy geometric sans with a superelliptical backbone: most forms are built from rounded rectangles and squared-off curves, producing boxy counters and soft-cornered terminals. Strokes are monolinear and dense, with frequent horizontal “shelf” cuts and notches that create a modular, almost stencil-like construction. Apertures tend to be tight, bowls are squared, and diagonals appear selectively (notably in V/W/X/Y), which adds punchy rhythm against the predominately orthogonal structure. Numerals follow the same squared, rounded-corner logic, with compact interiors and strong, poster-like silhouettes.
Best suited for logos, titling, and short headlines where its modular cuts and squared-rounded geometry can read as intentional design. It also fits gaming and tech branding, interface headings, packaging accents, and event posters that want a futuristic or industrial voice. For small sizes or extended text, the tight apertures and dense forms may reduce clarity, so generous sizing and spacing help.
The overall tone is bold and synthetic, evoking futuristic interfaces, arcade cabinets, and industrial labeling. Its segmented cuts and squared curves feel engineered and mechanical rather than humanist, giving text a crisp, techno flavor with a hint of retro digital styling.
This design appears intended to deliver a distinctive techno display voice built from rounded-rectangular primitives, with repeated notches and horizontal cuts to create a recognizable, engineered texture. The goal seems to be strong silhouette recognition and a cohesive “digital/industrial” atmosphere rather than neutral body-text readability.
Distinctive mid-stroke breaks and stepped terminals make individual letters highly stylized, especially in shapes like S, E, and G, where internal cuts become a key identifying feature. The dense weight and compact counters favor display settings; in longer passages the repeated notches create a strong texture that can dominate the page.