Sans Superellipse Umsy 3 is a bold, wide, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, ui display, packaging, tech, futuristic, industrial, gaming, sci‑fi, geometric system, display impact, tech branding, sci‑fi tone, rounded corners, square curves, compact counters, geometric, modular.
A geometric sans built from rounded-rectangle construction, with squared curves and consistently softened corners. Strokes are uniform and heavy, creating a sturdy, high-contrast presence against the page without visible modulation. Proportions are broad with a tall lowercase, and many forms use flattened bowls and rectangular counters (notably in letters like o, e, p, and b). Terminals are predominantly blunt and horizontal, while select shapes introduce distinctive angled joins and notches (e.g., the V-shaped bottom in v and the segmented, stepped details in s and t), reinforcing a modular, engineered rhythm.
Best suited to short to medium-length text at larger sizes where its modular details and rectangular counters stay clear. It works especially well for branding, posters, titles, product/tech packaging, and interface headings where a confident, engineered aesthetic is desirable.
The overall tone reads as technological and forward-looking, with a slightly retro-digital feel. Its squared curves and robust weight suggest machinery, interfaces, and sci‑fi signage rather than editorial warmth. The consistent rounding keeps it approachable while still projecting a crisp, synthetic personality.
The font appears intended to translate a rounded-rect, superelliptical geometry into a contemporary display sans, prioritizing strong silhouettes, consistent stroke logic, and a futuristic industrial voice. Distinctive angular cuts in key letters add recognizability while keeping the overall system cohesive.
The design emphasizes clear, blocky silhouettes and uniform spacing, with several glyphs leaning on stylized construction for character (such as the sharp internal angle in v and the distinctive hook/step treatments in a few lowercase forms). Numerals follow the same rounded-rect logic, staying highly geometric and display-oriented.