Sans Other Tiri 10 is a light, narrow, monoline, upright, normal x-height font.
Keywords: display, headlines, posters, branding, ui, tech, futuristic, modular, retro, sci‑fi voice, digital signage, grid system, stylized legibility, angular, geometric, wireframe, cornered, minimal.
A geometric sans built from thin, consistent strokes with squared corners and occasional clipped/diagonal terminals. Curves are largely minimized in favor of straight segments, giving many forms an outlined, rectilinear construction (notably in rounded letters and numerals). Counters tend to be boxy and open, and several joins are simplified into hard angles rather than smooth transitions, producing a crisp, plotted rhythm across text. The overall spacing reads compact and engineered, with clear baseline alignment and a restrained, schematic presence.
Best suited for display sizes where its angular construction and thin strokes can read cleanly—headlines, posters, titles, and logo/branding work that wants a technical or sci‑fi edge. It can also work for interface labels or short UI strings when a schematic, digital tone is desired, but its stylized geometry may be less comfortable for long-form reading at small sizes.
The tone is distinctly tech-forward and futuristic, with a modular, instrument-panel character. Its rigid geometry and wireframe feel also nod to retro digital and sci‑fi display aesthetics, reading precise, systematic, and slightly playful in headings.
The design appears intended to translate a grid-and-segment logic into a readable sans, prioritizing a constructed, futuristic voice over traditional typographic softness. By reducing curves and emphasizing straight, cornered strokes, it aims to evoke digital instrumentation and modular signage while remaining legible in short text settings.
Diagonal strokes appear selectively (e.g., in forms like K, V, W, X and some numerals), adding sharp accents to an otherwise orthogonal system. Round letters such as O and Q are rendered as squared bowls, reinforcing the font’s grid-like logic and making the overall texture feel architectural and constructed rather than calligraphic.