Sans Faceted Voba 9 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, techno, industrial, sporty, arcade, futuristic, impact, modernize, systemize, signal strength, octagonal, angular, blocky, squared, compact.
This typeface uses a geometric, faceted construction where curves are replaced by clipped corners and straight segments, producing octagonal counters and squared bowls. Strokes are heavy and uniform, with crisp terminals and a consistently rectilinear rhythm. Proportions lean broad with sturdy horizontals, and the lowercase has a large, sturdy presence with simplified forms (notably single-storey a and g) and compact internal apertures that stay clean at display sizes. Numerals follow the same chamfered logic, maintaining a cohesive, modular feel across the set.
Best suited to high-impact display work such as headlines, posters, badges, team or esports-style branding, and bold packaging or label systems. It also fits UI or motion graphics where a hard-edged, tech-forward voice is desired, especially at larger sizes where the faceting reads clearly.
The overall tone is assertive and mechanical, evoking tech hardware, industrial labeling, and arcade-era display aesthetics. Its sharp facets and dense weight give it an energetic, competitive edge that reads as modern and performance-oriented rather than friendly or literary.
The design appears intended to deliver maximum visual punch through a modular, chamfered geometry that stays consistent across letters and numbers. By replacing roundness with facets and keeping stroke behavior uniform, it aims for a robust, engineered look that remains legible while projecting a distinctly industrial, digital feel.
Diagonal joins (as in K, V, W, X, Y) are handled with straight, planar cuts that keep the silhouette tight and disciplined. The punctuation and spacing in the sample text suggest a strong display bias, with the heavy mass and clipped counters creating a punchy, high-impact texture in paragraphs.